Photograph: Julian Chokkattu
The topic of always-online live-service games shutting down and ultimately becoming unplayable has been a popular topic of internet discourse for many years. Through my work on Towerborne I've seen first-hand just how challenging and time-consuming it can be to make a game originally designed like this work offline. Every game has its own unique challenges in both design and technical architecture, making offlining a uniquely complex undertaking that is hard to understand for many of its players. However, the Native AOT approach we leveraged shows that it is possible and I hope other developers finding themselves in a similar position find it useful in showcasing one possible path.
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Linux kernel maintainers propose a less painful process for identifying developers. See how it can make Linux code safer than ever.
1977 年，塔可夫斯基在爱沙尼亚一个废弃的发电厂开启了《潜行者》的拍摄，这部影片借三个男人穿越“禁区”的神秘旅程，讲述了一个关于欲望和信仰的现代寓言，对信仰、希望和人性的探问贯穿影片。在日记中，塔可夫斯基记录着拍摄的艰辛，也记录着自己对这部作品的期待，他希望用镜头探讨人类的精神救赎。未承想，镜头里的荒凉和危险竟成了对现实的预言。影片的拍摄场地暴露在严重的环境污染下，最终让摄制组付出了惨痛的代价：主演阿纳托利・索洛尼岑、担任副导演的塔可夫斯基的妻子拉丽莎，还有塔可夫斯基本人，在拍摄结束后的几年里先后罹患癌症。病痛的阴影从此萦绕在他的日记里，成为他此后创作中无法回避的底色。